

The Broken Earth Trilogy: The Fifth Season, the Obelisk Gate, the Stone Sky : Jemisin, N K: desertcart.co.uk: Books Review: Excellent value. - Bought for a present and was excellent value compared to buying the books separately. Review: Great books












| Best Sellers Rank | 1,298,340 in Books ( See Top 100 in Books ) 10,875 in Dystopian 18,658 in Epic Fantasy (Books) 21,893 in Action & Adventure Fantasy (Books) |
| Customer reviews | 4.7 4.7 out of 5 stars (2,653) |
| Dimensions | 14.29 x 10.16 x 21.59 cm |
| ISBN-10 | 031652719X |
| ISBN-13 | 978-0316527194 |
| Item weight | 1.27 kg |
| Language | English |
| Print length | 1424 pages |
| Publication date | 2 Oct. 2018 |
| Publisher | Orbit |
J**E
Excellent value.
Bought for a present and was excellent value compared to buying the books separately.
N**O
Great books
M**A
amé
T**A
This series will plunge you in a world where magic is not as straightforward as it usually is in most fantasy books. The characters are complex and credible, the plot teasingly convoluted and the Broken Earth's cosmogony immersive. The writing is original and refreshing. A must read for fantasy amateurs !
M**R
When I was about six, my reading obsession began with hard sci-fi. Tom Swift Jr and Mike Mars let to Asimov, Pohl, Dick, Heinlein, Clarke and a host of others. Fantasy was never really a thing, although [book:The Lord of the Rings|33] got me through middle school. But I fully engaged with <i>The Broken Earth</i> trilogy and its potent world of invented science and palpable magic, of four races of humans living on a conscious and somewhat malevolent earth. Earth’s malignant, seismically driven ‘Seasons’ are ash or wind or heat or earthquake or volcano or tsunami, over and over, with the Fifth Season often wiping out the civilization of the time along with most of its inhabitants. This pattern has been repeated for forty thousand years. How humans associate and evolve and behave in this unforgiving world lets Jemisin explore love, anger, generational resentment, oppression, racism, motherhood, parricide, duty and destiny. Human suffering is painful, real and repeated. Grief is woven into the character’s choices. The earth and its inhabitants are misanthropically bound together; the novels eventually explain why and offer a possibility of changing the outcome. Jemisin is interested in the moral quandaries that arise in her protagonists from having vast power, painfully conflicting duties and impulses, and having to then live with the consequences of any resulting decisions. She doesn’t baby her characters, always giving them greater challenges to overcome despair the burden of ever greater handicaps. Essun and Nassun are orogenes, a race of humans able to reach into the earth and control/manage seismic events. Orogenes are feared and hated by the mass of society, disowned or even killed by their families despite the fact that their skills are necessary for civilization to exist. A race of long-lived Guardians takes orogenic children to raise in a central location, in a way protecting them but controlling them with ruthless methods. The Stills, normal people, do their best to survive when they aren’t resenting orogenes or dying from seismic disruption. The mysterious stone eaters follow an agenda of their own. The tensions between all these races playing against the backdrop of the disintegrating earth give the plot plenty of momentum. Essun is all too human. She seeks love and connection, but being an orogene can require actions that have horrible consequences. She suffers unimaginably before she finds a purpose worthy of all her sacrifice. Her ten-year-old daughter Nassun, from whom she is separated for much of the story, just wants to feel safe, yet is faced with the same quandary as her mother. How each navigates their interlocking hero’s journeys kjeepts the story moving while illuminating Jemisin’s questions. Most of the trilogy is narrated in close third and alternates between Essun’s and Nassun’s points of view, though there are interludes of a first person narrator speaking in the second person. This adds to the unsettling quality, as we can only surmise who the narrator and the “you” are until fairly late in the tale. This is disquieting but feels mimetic of the shaky state of the Broken Earth. Many chapters end with historical asides that illuminate and provide greater context for the current action. Again, though, this tale is driven by character more than plot, and the empathy I developed for each of the characters was both surprising and salutary. A great read and fully deserving of all its accolades.
M**A
Adorei o box! Boa diagramação e bom custo-benefício.
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