The Thing [4K UHD]

My first encounter with John Carpenter's The Thing was back around November of 2001, where I only saw a snippet of the movie on TNT. Just my luck, I tuned in at one of the most gruesome scenes in the movie. Even at the age of 14, when I was more seasoned to creepy films, still found it too disturbing to follow through the rest of the movie, and just tuned in to something else (probably The Simpsons). I wouldn't come into contact with this movie for another eight years. In September of 2009, I went to the nearby Family Video to look for a good movie to watch. I found a copy of The Thing at the store, and looked at the description of it, and thought to myself "Hey, I remember watching a bit of this a while back." For a mere dollar, I rented The Thing and I don't regret it at all. STORY The Thing is set in Antarctica 1982 (when this movie was released), and an American research team is shocked when a Norwegian scientist lands his helicopter nearby and starts shooting at a runaway dog. Due to a language barrier and overall panicked state the Norwegian is in, he can't properly communicate to the Americans, accidentally blows up his helicopter, and shoots one of the Americans in the leg. The Norwegian ends up getting shot and the American research team takes in the dog that was fleeing from the helicopter. Things start to turn awry when MacReady (Kurt Russell) and Doc Copper (Richard Dysart) investigate the charred remains of the Norwegian research facility and bring back a mutated, humanoid corpse to their facility. CHARACTERS What I think helps make The Thing such a great movie is that the characters feel like real people. The cast is a group of men stuck in a research outpost in the Antarctic, and they certainly act like people who've been stuck in a frozen, confined place for a long time. They're not really bad guys, but they're certainly not people that are totally likeable. A lot of them are cranky, probably from being stuck in the same place out in a frozen continent. Palmer (David Clennon) sticks out as the most awkward of the bunch, since you see him smoking marijuana and rambling about some government conspiracies. While MacReady steals the show, Childs (Keith David) is probably my favorite since David is such a great actor and does a great job a playing a man with a sense of reason and is a tad against MacReady when he claims authority in the group. My only real grip with them is that they seem pretty unprofessional for a group of government researchers in the Antarctic, but this could also be that they're in a bout of downtime allotted by the government. It's also worth noting that Wilford Brimley plays Blair, a medical scientist who loses his mind in the wake of these Things taking over the crew of the research outpost. HORROR/SPECIAL EFFECTS Because The Thing is a sci-fi/horror hybrid, the horror element is extremely important. Thankfully, with director John Carpenter and special effects artist Rob Bottin working on this movie, The Thing has some of the best horror you can get in this genre. Thanks to excellent story and character development, a great location to set up the movie, and amazingly creepy monsters, this movie is replete with natural feelings of isolation, tension, and dread. Being stuck in a research center in the middle of Antarctica, not knowing that someone else in your research team might actually be a nefarious, invasive alien lifeform, this will certainly creep anyone out. Given the premise of alien lifeforms taking over other lifeforms with grizzly results, I can easily see how this movie was extremely influential to Visceral Games when they created the Dead Space series. Rob Bottin has to be one of the best special effects artists that ever worked in cinema. His animatronic monsters in this movie are some of the creepiest you'll ever see because aside from the fact that they look so disgusting, they look very realistic, too. It's crazy that this movie came out in 1982, yet the various Thing monsters in this movie look better than some of the best CGI effects available today. I don't want to give away too much of the scary parts in this movie, but one of the creepy scenes that sticks in my head the most has to be near the beginning, when that dog that escaped from the Norwegian scientists mutates in the dog pen and turns into a sheer abomination that doesn't look like any living creature of this Earth. It's funny to note that some of the materials used to bring these special effects to life, because according the documentary that came with the collector's edition DVD of this movie, Rob Bottin used a bunch of K-Y jelly to give the mutated creatures a slimy, greasy look. STORYTELLING Carpenter was at the top of his game when directing this movie, and like any director worth his salt, relies on the "show, don't tell" principle of storytelling. Only the necessary amounts of dialogue are used to give background to certain things. What really struck out at me was the scene where Blair was researching the Thing cells, and you see a computer screen depicting highly-pixelated images of the Thing cells taking over the dog cells (taken from the mutated dog's corpse) and spreading to the others. Not a single word was used to explain how the Thing cells work in this scene, yet it gave us all the information we needed to understand the Things. SOUNDTRACK Ennio Morricone's compositions in this movie are some of the best music compositions for horror motion pictures you'll ever hear. Morricone departs from his background in using a whole orchestra and uses primarily electronic keyboards to create the music here. The minimal nature of most of the tracks in the movie's score is perfect for the chilling atmosphere here, since it enhances the said atmosphere and imagery instead of distracting you away from it. The music here is so great, I actually bought an MP3 copy of Morricone's score for this movie. MATURE CONTENT This is not a movie for the kids to see. There's a good deal of profanity, some drug use, and intensely creepy monsters and gore. You see a dog mutate (with plenty of gore coming from the dog as it mutates) and attack other dogs after it mutates. There's also a scene where a man gets his arms bitten off by one of the Things and it mutates into something really ugly that I can't describe in words, you have to see it for yourself. There's also a scene of a slain dog with an ax embedded into its neck. I know that some people are pretty sensitive to seeing animals getting killed in movies, so if this is a concern for you, you may not like that scene or of the dogs getting attacked by one of the Things. FINAL WORD In John Carpenter's filmography, I think The Thing is his crowning jewel. If you love horror movies, this is a mandatory movie to have in your library. I should close in saying that sometimes, there is justice in the movie world. The Thing was originally not received well when it first came out, but thankfully it became a hit on video and has now gotten the "classic" status it totally deserves.

One of my favorite sci-fi, and horror films has always been Ridley Scott's 1979 classic Alien, and for a while now I've been looking for a film that would make for a good late-night double feature (excluding the sequel, Aliens). Of course, when I searched I mostly found rip-offs that couldn't hold a candle to the levels intrigue, and suspense set by Scott's film; in fact, most of them were simple rip-offs of Alien. I finally found this version of The Thing after having liked the original 1952 version for over a year. I'd always been hesitant to try Carpenter's remake, because I am always hesitant when confronted with remakes; especially ones of beloved classics, such as The Thing from Another World. When I finally watched this remake I was pleased to discover that Carpenter did a remake right! This film features plenty of homage, honoring the legacy of the original film, while also recreating the plot almost 100%, except for the setting, and some character names. The opening title is the same way it was done in the 1951 film, and any fan of the original will be sure to notice the similarities (I believe Carpenter's Thing makes a very similar sound to the original's; just edited a bit to make it more menacing for a modern audience). Everyone should know the basic premise of The Thing movies (based on the sci-fi classic short story `Who Goes There?') where scientists in a remote Arctic base find themselves under siege from an alien invader, who's been frozen in the ice for thousands of years. As members are picked off one-by one individual's personalities begin to clash, leading to internal conflict. To keep his film fresh and original Carpenter returns to the short story, making his alien capable of shape shifting: this increases the tension between the members of the cast. Most of the movie they have no way of discovering who is, or not one of them, and they are never capable of fully trusting one another. The stand out is of course the way Carpenter depicts this creature's abilities to change, causing some of the most disturbing images you will ever see in the movies. Between the puppets, and stop-animation this is some of the best shot monster effects of the 1980s (not to mention nauseating). The film is lead by one of my favorite action stars Kurt Russell, who has teamed up with John Carpenter on several occasions (most notably Escape from New York). Russell's character is essentially a cliché drunken-slob-turned-hero, but Russell does do a good job with it, and makes you root for his character, even when evidences points towards him not being human. Most of the characters in the scriptare cardboard, made up of stereotypes, and clichés, but Carpenter still manages to get the audience to care for the central characters, even though you only learn very little regarding these characters past, or present lives. He creates a wonderful sense of paranoia as the characters try to locate the imposter among them, and the audience is pulled into this conflict by the evidence provided by the crafty Carpenter, either by visual signs, or subtle dialogue. I wouldn't call The Thing one of the best movies of all time, but I can say it is one of the most well crafted horror films of the last thirty years. The visuals are as disturbing as they are frightening, and the direction is perfect, and this is all topped by a subtle, yet disturbing Carpenter-inspired score by Ennio Moriccone. This movie will shock and disturb audiences of all ages, and at the same time provides terrific entertainment for moviegoers, and horror buffs.

BOTTOM LINE: It's an easy 5 STAR rating for the intense motion picture horror experience that is John Carpenter's THE THING. The abysmally disappointing Universal barebones Blu-ray is a 2 STAR turd. Don't bother. Pick up the Shout!Factory Blu instead. Their release is what fans deserve and have been wanting. 5 STARS for Shout!'s Blu-ray! Terrific thrills, chills and flat out shocks fill this frosty fright flick to the icy rafters. John Carpenter gives us what many consider to be his very best film. (I'd modify that statement and say it's his best science fiction film. His best horror work is still the original HALLOWEEN, while his best action film is ASSAULT ON PRECINCT 13. As always, IMHO/YMMV.) I am among those that love THE THING. I've been an enthusiastic fan of this film and John Carpenter since I first caught it during its debut on cable way back in the day. The barren, brutal and bloody frights of THE THING were unleashed into theaters a mere two weeks after the snuggly hug-fest of Steven Spielberg's E.T. THE EXTRA-TERRESTRIAL, and I think a lot of film goers back then were simply not prepared for the senses-shocking visceral horrors that Carpenter and his crew were set to spring on them. In fact, even without ET's cuddly competition, I'm not sure THE THING would have been a box office hit. THE THING was just too far ahead of its time. 25+ years later and it has lost none of its power to shock, make you jump and squirm in your seat. SPFX artist extraordinaire Rob Bottin's incredibly twisted creature designs and disgustingly awesome motion-controlled props & make-ups still physically and psychologically repulse and fascinate the viewer all these decades later. This film is stuffed to the gills with some of THE best examples of beautifully grotesque movie effects ever seen. Give me wonderfully-realized practical effects like the ones on display here ANY day over the ocean of computer-generated stuff. Every cast member gives us a top flight performance; no half-hearted acting to be found here. Kurt Russell makes you instantly forget there ever was a Dexter Riley, with his subtle yet most definitely in-charge role as laconic chopper pilot R.J. MacCready. Charles Hallahan, Keith David, Richard Dysart and especially Wilford Brimley all turn in A-list work in their various supporting roles. Establishing himself as an acting force to be reckoned with, Brimley gives us an unforgettable, multi-layered performance as the slowly disintegrating Blair. And a special call-out to long-time character actor Donald Moffat as the bewildered, beleaguered and undoubtedly in over his head Antarctic outpost commander, Garry. Moffat gives us what is arguably the greatest line reading in the history of talking motion pictures with his "couch" speech. His vocal firepower is the equivalent of a howitzer in this scene and once you've heard it you'll never forget it. LOL. This 1982 remake, based on John Campbell's fantastic 1938 short story "Who Goes There?" hews much closer to the source material than the previous movie incarnation, the classic Howard Hawks 1951 version of THE THING (FROM ANOTHER WORLD). Carpenter's film is every bit as impressive and iconic as Hawks' version is, though for drastically different reasons. Hawks' THING combines a fantastic cast of characters who, despite initially being at-odds with one another on how best to deal with their alien visitor, eventually band together to battle the terrifying extraterrestrial, (a super-intelligent plant-based lifeform that could conceivably pollinate the entire planet with its deadly spores, instantly knocking mankind to the bottom of the food chain). Hawk's THING = US against THEM. The fear in Carpenter's version, (much like INVASION OF THE BODY SNATCHERS), comes from being unable to know for certain just exactly WHO or WHAT the enemy is; no person, (in fact no living thing), can be trusted. Carpenter's THING = ME against EVERYTHING. Carpenter's remake remains one of THE best on-screen examples of paranoia-fueled terror ever lensed, pure & simple. The 1982 version of THE THING is one of those rare occurrences when the remake of a classic movie is every bit as good as the original. Both versions are absolute "must-owns," fully deserving a spot on every movie (and especially sci-fi/horror) fan's video library shelf. BLU-RAYS... The Universal Blu-ray of THE THING is a major let-down. None of the excellent bonus features from the previous Collector's Edition DVD have been ported over to this Blu-ray version, save the audio commentary by John Carpenter & Kurt Russell. Nothing new was produced for this Blu-ray either. That's a damn shame no matter how you look at it. Instead of an ultimate, reference-quality release, you just get a new format version that in all honesty isn't any better than the previous format. Neither the picture nor the sound are much improved from DVD. Universal really dropped the ball with this release. A travesty for Carpenter fans and basically the home video equivalent of a kick in the nuts to those, like myself, who were hoping for at least a worthwhile picture & sound upgrade even if no goodies were included. As I say, the audio & video are somewhat better but not THAT much. If you already own Universal's "Collector's Edition" DVD then I cannot recommend double-dipping for this Blu-ray. UPDATE>>> Forget the craptastic Universal Blu-ray. Pick up a copy of Shout!Factory's new Blu-ray and see how this SHOULD have been handled by those knuckleheads at Universal. The Shout! Blu is a terrific 2-disc offering that is worlds better than Universal's. The transfer, first & foremost, is amazing. Super sharp focus, bringing out a ton of details not seen in any previous format release. The picture looks clear, clean and is free of artifacting, pixelation, edge enhancement, and only the slightest amount of crush (video noise). The crew at Shout! affected a 2k scan of the film's interpositive, overseen by the Director of Photography, Dean Cundey. It looks amazing. The blacks are solid & inky and the mid-tones are firm and strong. Audio is clear, clean and the soundmix is level. There is a wealth of superb bonus content for fans of this great film. Shout! knows how to please. In addition to the best original stuff ported over from previous versions, there are lots of new goodies; some on Disc #1 (Feature Film) and the rest spread out over Disc #2 (Special Features). Bravo! This is the release THING fans have been clamoring for. Wait no longer. Order yours today!

The movie itself is five stars, one of the best sci-fi horror films ever made. The 4K transfer on this UHD DISC is excellent on every level. There were previous 4K releases by other studios, but this Paramount release, in my opinion, is by far the best. So many 4K movies can be way too bright, or lack a classic film texture. This 4K of THE THING by Universal is the best this movie has ever looked! Amazing amounts of detail, and color. I remember this movie as a dark,, murky looking film. It is not. This is movie is beautifully shot and now, thanks to this disc, full of color! The black levels are dark, but full of detail and the whites are never bleached out. The sound is nicely mixed with big explosions that never over-power dialogue. I never once had to adjust the volume while watching this film (the way I do for so many overly-loud mixed films.) Wish it had more extras, but i found the making-of documentary to be really good, as well as the commentary track by John Carpenter and Kurt Russel. Buy this 4K over the Blu-ray or the DVD. You'll be glad you did! And if you don;t have a 4K player, what are you waiting for?

Movie 1 of 1982 and 91 overall in my journey through films of my lifetime. When I started this retrospective "The Thing" was a movie I had in mind as justification for the effort. From the outset I'll just say that this movie exceeded my expectations by bounding degrees. I could not have begun to imagine that this movie was this good. In the first season of "The X-Files" there was an episode that mimicked "The Thing" and I really didn't like that episode. In fact I never watched another episode of "X-Files" to this day. So when the prospect of watching "The Thing" came up I passed. My history with this movie doesn't end there though. In the 80's that family I spoke of in a different, earlier review had cable on all day. I would see scenes from "The Thing" on there periodically and it scarred the heck out of me. The practical effects are great even today but back them, as a child, it looked like a documentary. The highest compliment I can give this movie is that it is just a great story. I'm so dissapointed to read that it was a flop but at least it withstood the test of time. The sound effects and music were great for any time period. I was expecting dated synth but it was far from it. There may have been synth but it was so well done I didn't notice. Another compliment I'll pay this is that it's the best Lovecraft inspired film I've ever seen. I recently saw "The Color Out of Space" with Nicolas Cage and it was abysmal in my opinion. It suffered from similar issues but where they differ greatly is the quality of the story telling. So what criticisms could I share? Well I'm not a fan of the UFO at the beginning. In fact I think it proves my point I made in "Escape from New York" that Carpenter has a raw imagination. This can be a good thing too but I'm listing this as a bane. Why did we absolutely have to know that the creature was a space alien? It would have enhanced the story to leave the origins of the creature to the imagination of the audience. Another issue I had is directoral. Shot after shot lingered far too long on the creature. Again, imagination is the key and the effects would have looked even better in flashes, hints, and suggestions. I remember my dad explaning (years before "The Thing") what made "Jaws" so scary: you never saw the shark. My dad was right and I'm kind of surprised Carpenter didn't understand that. These are small gripes though. The good far exceeds the bad in this movie. Pros -great story -Lovecraftian feel -horror done right -incredible special effects Cons -over explains -lingering shots of effects A note on computer scenes in 70's and 80's movies. Still an area where the public knew so little that the imagination could run wild for film makers. The scene where the computer is diagramming and calculating the alien infection is almost nonsensical to me. I laughed out loud because this computer, in the middle of Antarctica, is the most advanced AI ever conceived. Story, especially cinematic story, needs gravity and the computer scene was creative exposition to accomplish this. One could get away with this back then but I'm very curious what a younger person today would thinking about this scene. We are aware now that computers just don't work this way. We still do this today to one degree or another though. Computer modeling is done for predicting virus outbreaks to weather changes. These models are far more often wrong than right and yet our imaginations make us think they have credence. It would be folly to laugh too hard at their efforts back then because we still hold computers to unrealistic standards.

This was a excellent movie they did a wonderful job putting it on 4k I was amazed at how good the picture was for a old movie well worth it and buying and watching it over and over again

I watched John Carpenter’s The Thing on 4K UHD with the new DTS:X soundtrack on my 7.2.4 Dolby Atmos system, listening right at reference level (0.0dB). This is a major step up from the Blu-ray version, especially in terms of video quality, though the new audio mix isn’t quite the immersive showpiece some might expect. Video Quality: The 4K transfer is outstanding, Universal’s remaster shows real respect for Dean Cundey’s cinematography. Film grain is intact and cinematic, black levels are deep without crushing detail, and the Arctic palette looks natural. The HDR grading adds depth and contrast but wisely doesn’t overdo it, it still feels like The Thing, just sharper, cleaner, and more film-accurate. Compared to the Blu-ray, it’s night and day in sharpness and texture fidelity. Audio (DTS:X): Here’s where opinions will vary. The new DTS:X track is good, dynamic, clean, and far better balanced than older DTS-HD MA tracks, but it’s not as aggressive in its use of height channels as some modern Atmos or DTS:X mixes. Rear and surround effects (howling winds, creaking outposts, off-screen movement) are well-placed and atmospheric, while overhead cues appear mainly during intense moments like the flamethrower scenes or helicopter sequences. The low-end is deep and controlled, giving the score and creature effects weight without overpowering dialogue. But if you’re expecting a full “ceiling-shaking” overhaul, this isn’t that. It feels like a respectful update, a faithful preservation of the film’s original sonic character with added space and clarity, rather than a total reimagining. Final Thoughts: This is still the definitive home release of The Thing. The picture alone justifies the 4K upgrade, and the DTS:X mix, while conservative, enhances immersion without betraying the film’s atmosphere. It’s a strong technical achievement, not a reference demo disc and that’s perfectly fine for a classic like this. Note: Listened at reference level (0.0dB) on the following system: AVR: Denon AVR-X4500H (pre-outs to external amps) Amps: Emotiva & Monolith power amplifiers Speakers: ELAC Debut 2.0 series (F5.2 fronts, C6.2 center, A4.2 Atmos modules, surrounds and heights) Subwoofers: Two REL T/1003 10” subs Player: Panasonic UB420 4K UHD Compared to streaming, the 4K disc is in another league cleaner HDR, more dynamic sound, and zero compression artifacts. It’s a must-own if you love this film, even if the DTS:X track stops short of being revolutionary.

Great movie and Price!

O melhor filme do John Carpenter e um dos melhores filmes de terror na minha opinião. Essa edição 4K está impecável, para quem não tem a TV certa, ou aparelho para rodar em 4K, também vem com o Bluray normal.

Llegó sin ningún detalle y rápido al otro día, es una excelente versión , se ve espectacular en pantalla 4k , trae un documental donde el director y todos los involucrados en la película cuentan el proceso de creación, todo subtitulado en español

Oubliez le prequel/reboot et jetez vous sur ce monstre du film fantastique/horreur qu'est The thing, paranoïa et effets gores mais surtout et toujours John Carpenter épaulé par kurt russell

No hay mucho que decir, la pléicula es buena. Sobre la presentación, no incluye demasiados extras, solo lo justo. Lo recomiendo.

One of my all time favorite movies added to my collection. Can't imagine what the audience in 1982 felt like, definitely were not ready for it. Didn't succeed at the time but became a cult classic and continues to live on. Great cast with a great storyline filled suspence and gore. Featuring awesome makeup and special effects for it's time plus a killer soundtrack by Ennio Morricone. Highly enjoyable in hi-def picture and sound.