Ragas in Indian Classical Music

Great theoretical treatise. Solid practical supplements. Massive knowledge bank. Meticulous analysis. But really sloppy editing and terrible proof-reading - full of spelling+syntax errors and inconsistencies - need to be corrected in later editions; publisher/editors, hark!

Just received the book & started reading. Great concepts explained which earlier I had no knowledge of.The spelling error in the cover title “HIDUSTANI” with a missing N is stark considering the fact that it was published first in 2010 & reprinted in 2017.

It is a good book written by a lover of indian classical music.It is useful for students of classical music in English language and gives knowledge of various Ragas in brief.

Not much deliberative on ragas, if shruthi of raga changes what would be the taal

Everything okay, thanks.

Good contents

Worth purchasing...Good information about Raagaas.

Perfect

A long time appreciation for Raga music compelled me to order this book. The language is concise and so far I find my concepts of musical form enhanced by the logical style of Anupam Mahajan. The vocabulary of Indian classical music is presented gradually ( along with some Western terms) & specific ragas & their moods are methodically introduced. A good read for musicians/composers looking to explore their craft through the lens of an accomplished Indian artist.

Very in depth and advance theories into HindustaniMusic